Michael Madhusudan Dutt is considered a leading figure of the Bengali Renaissance of the mid-nineteenth century. He is credited with poetic and dramatic innovations best illustrated by his merging of Bengali stories and language with Western styles and forms such as those found in the works of Homer and John Milton. He was born in 25 January 1824 at Sagardari, on the bank of Kopothakho River, a village in Keshobpur Upozila, Jessore District, East Bengal (now in Bangladesh). Madhusudan was born with rock-like determination. He proved himself to be a student of exceptional gifts, and his teachers and professors with no difficulty recognised in him a fast-blossoming intellectual figure. When his boyhood was just commencing to bud into adolescence, countless coloured images rocketed in the sky of his imagination for a swift flare-up into fame.At that time Madhusudan desired to be an Englishman in form and manner. Born to a Hindu landed gentry family, he converted to Christianity to the ire of his family and adopted the first name, Michael. However, he was to regret his desire for England and the Occident in later life when he talked ardently of his homeland as is seen in his poems and sonnets from this period. Madhusudan’s life was at once a stupendous boon and an enormous sorrow. Loss of self-control was in the main responsible for this sorrow and his over-flowing poetic originality for this boon. Madhusudan was a wonderful linguist . His reading is almost unbelievable. Besides Bengali, Sanskrit and Tamil, he studied Greek, Latin, Italian and French and could read and write the last two with perfect grace and ease.His best work is Meghnad-Badh Kabya.About this Epic Tagore said “The Epic Meghnad-Badh is really a rare treasure in Bengali literature. Through his writings, the richness of Bengali literature has been proclaimed to the wide world.” Vidyasagar’s lofty praise runs: “MeghnadBadh is a supreme poem.” Madhusudan died in Calcutta General Hospital on 27 June 1873.